Dreams and Nightmares
The Origin and Meaning
of Dreams
(An excerpt from the book)
Ernest Hartmann, M.D.
The Connecting Process is Not Random; It is Guided
by the Emotions and Emotional Concerns of the Dreamer.
I believe the dreaming process is not random. Some would agree
that dreaming makes connections broadly but would say that dreaming
makes connections all over the place, that is basically a random
process. I do not think so, based on a great deal of research
beginning with my own work on dreams and nightmares of people
who have experienced an acute trauma and are now recovering from
it. The advantage to studying dreams in such a situation is that
we know what is on the persons mind. We know what is really
grabbing his or her attention - what the meaningful concerns must
be.
I have been able to collect long dream series from a number of
people who experienced a trauma such as barely escaping from a
fire, being raped, or having someone killed next to them. These
series clearly show that dreams make connections between the traumatic
event and other material, such as old memories, including memories
of past trauma. The connections appear to be guided principally
by the emotions or emotional concerns of the dreamer.
After a severe trauma, the dominant emotions are obvious. A woman
who was brutally raped had the following series of nightmares
over the next few weeks:
I was walking down the street with a female friend and the womans
4-year-old daughter. A gang of male adolescents in black leather
started attacking the child. My friend ran away. I tried to free
the child, but I realized my clothing was being torn off. I awoke
very frightened.
I was trying to walk to the bathroom when some curtains began
to choke me. I was choking and gasping for air. I had the feeling
I was screaming, but actually I didnt make a sound.
I was making a movie with Rex Harrison. Then I heard a train coming
right at us, louder and louder; it was just about upon us when
I woke up.
The dream is all in color. Im on a beach. A whirlwind comes
and envelops me. Im wearing a skirt with streamers. The
whirlwind spins me around. The streamers become snakes which choke
me and I wake up frightened.
Although this womans nightmares incorporate some details
of the actual rape experience (the rapist, about 18 years old,
entered her window through curtains and threatened to strangle
her with the curtains), she is dreaming mainly about an emotion
- terror (a child is attacked; she is choked; a train rushes at
her; a whirlwind envelops her; snakes choke her).
Several people in my series who escaped from fires dreamed first
about fires but then reported dreams of tidal waves or of being
chase by gangs of criminals. Alan Siegel, a clinical psychologist
in California, has reported similar findings in victims of the
Berkeley, California, fire of 1991. Why dream about tidal waves
or gangs of criminals when you have just escaped from a fire?
Obviously the dream images do not come from the actual sensory
input experienced in the fire but are guided by the dominant emotions
of terror, fear, or vulnerability.
After trauma, I find there is often a progression in which dreams
such as the above first appear to picture or provide a context
for terror, fear, or vulnerability. Somewhat later they may deal
with guilt or shame - for instance, survivor guilt.
In my dreams, most of the time I am getting hurt in some way by
my brother or I get hurt in an accident while my brother is safe
(in actual fact, the dreamers brother died in a fire from
which the dreamer escaped).
This young man dreams of guilt, not directly of fires.
Contextualization of Emotion
I hope it is clear, at least in these very pure instances immediately
after trauma, that dreams are by no means crazy. Though unexpected
dream images may occur, they appear to be picturing, or as I would
say, contextualizing (finding a picture context for)
the dominant emotion of the dreamer.
My co-workers and I have found a large number of very clear contextualizing
images, especially in dreams after acute trauma but also
after a death or time of grief. For instance, here are some of
the more dramatic examples we have found in our collection of
dreams:
Fear, Terror:
A huge tidal wave is coming at me.
A house is burning and no one can get out.
A gang of evil men, Nazis maybe, are chasing me. I cant
get away.
Helplessness, Vulnerability:
I dreamt about children, dolls-dolls and babies all drowning.
He skinned me and threw me in a heap with my sisters; I could
feel the pain; I could feel everything.
There was a small, hurt animal lying in the road.
Guilt:
A shell heads for us (just the way it really did) and blows up,
but I cant tell whether its me or my buddy Jack who
is blown up.
I let my children play by themselves and they get run over by
a car.
These examples indicate what I mean by dreams contextualize
emotion. When there is a clear-cut powerful emotion present
such as fear, vulnerability, or guilt, dreams find a context,
a way to picture it. The situation is especially clear soon after
trauma, but I contend that the same thing occurs in all dreams.
I examine in the following pages, dreams in stressful situations
(but without actual trauma) that lead, though less dramatically,
to the same conclusion. Dreaming contextualizes the dominant emotion
or emotional concern of the dreamer. We can see the same pattern
in a situation such as pregnancy, which is not always stressful
but certainly involves clear emotional concerns. Pregnant women,
especially women in their first pregnancy, have dreams about their
bodies or other things changing shape and size, dreams that contextualize
their concerns that their shapes are changing and their worries
as to whether will they will still be attractive. Later in pregnancy
they picture small animals of all kinds, and then usually bigger
animals as the pregnancy progresses. Toward the very end of pregnancy
women often wonder, Will I be able to be a mother?
They begin to have dreams and nightmares which picture this concern.
For example, one woman reports:
I have some babies out in the garden. Its kind of like they
are plants and I suddenly realize I have forgotten to water them.
This same pattern can be seen in any number of other situations
when the emotional concern is obvious. For instance, as a very
simple example, which we examine in detail later, three different
patients on beginning psychoanalysis or long-term psychotherapy
had similar dreams that went approximately as follows:
I am walking along a mountain path with steep drop-offs on each
side. It is a bit dangerous. There is a large, shadowy figure
accompanying me - I am not quite sure whether this figure is good
or evil.
These patients are obviously contextualizing the fear and concerns
involved in beginning a long treatment with an unknown therapist
or guide.
Physical illnesses are also sources of emotional concern. Dreams
often portray these concerns very vividly, sometimes even before
the waking patient is aware of the illness. A man awaiting vascular
surgery on his leg, and afraid of losing the leg, has dream images
of defective tools or other defective objects in 11 of 14 recorded
preoperative dreams (see Chapter 3).
I suggest that this is the basic pattern for all our dreams but
that we can see it most clearly after trauma or in one of the
specific somewhat stressful situations in which we know just what
is on the dreamers mind. Here, in the examples we have considered,
the meaning is quite clear; no detailed interpretation
is needed. I suggest that more typical ordinary dreams
may sometimes seem confused because there is no one totally dominant
emotional concern that clearly guides the formation of the dream;
we are complex beings with a number of ongoing concerns, some
of which we may not even be aware of. It is this factor that makes
ordinary dreams difficult to understand and makes them appear
to require detailed interpretation. When one does take the trouble,
with or without a therapist, to obtain detailed associations,
amplifications, etc., to arrive at the meaning of the dream, this
process of interpretation often turns out to be a process of gradually
arriving at an emotional concern of which we may not have been
entirely aware.
What I am saying is quite consistent with what most of us who
love dreams and work with them have always known: We dream about
whats important to us. I am trying to specify how we do
this i.e., providing a picture context for the emotion
and I am trying to place it in a framework involving the nets
of our minds.
Ernest Hartmann, M.D., is a world-renowned authority
on sleep and dreaming. He is currently Professor of Psychiatry
at Tufts University School of Medicine and Director of the Sleep
Disorders Center at Newton-Wellesley Hospital in Massachussetts.
He is the Author of the following books:
ADOLESCENTS IN A MENTAL HOSPITAL
with Betty A. Glasser, Milton Greenblatt, Maida H. Solomon, and
Daniel Levinson
THE BIOLOGY OF DREAMING
BOUNDARIES IN THE MIND
THE FUNCTIONS OF SLEEP
THE NIGHTMARE
THE SLEEP BOOK
SLEEP AND DREAMING,
Editor
THE SLEEPING PILL
DREAMS AND NIGHTMARES
The Origin and Meaning of Dreams
January 2001 - Perseus Publishing
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